Selected published work
Editorial
2023 no exits
2022 Isles and islands: Cultural flows between the UK and the Philippines, British Council
2020 We’re all in this together (Vol. 2 - Asia-Art-Activism), London
2020 We’re all in this together (Vol. 1 - Load na Dito Projects), Manila
Texts
2023
Rustling in the Leaves, Power Naps Post Issue #2 (ed. Wing Chan), Para Site, Hong Kong
2022
Charles Lim Yi Yong Maps Singapore's Reclaimed Lands, Ocula
2020
On ‘Dear Yu Chu 玉珠’, The Art Columnist
Dancing to Budots and Being Chased by a Dog, Green Papaya Art Projects, notes on the 2018 VIVA ExCon
Bird watching, tractions: experiments in art writing Issue #2 (ed. Carlos Quijon Jr.), on Shireen Seno’s A child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off
2019
labor pains, Ctrl+P Journal of Contemporary Art Issue #19 (ed. Judy Freya Sibayan)
On higher ticket prices and deeper regard for artists: a postscript to Art Fair 2019, ANC X, on MM Yu
Conduits for sale, The Philippine Star, on Art Basel Hong Kong
2023
Rustling in the Leaves, Power Naps Post Issue #2 (ed. Wing Chan), Para Site, Hong Kong
2022
Charles Lim Yi Yong Maps Singapore's Reclaimed Lands, Ocula
2020
On ‘Dear Yu Chu 玉珠’, The Art Columnist
Dancing to Budots and Being Chased by a Dog, Green Papaya Art Projects, notes on the 2018 VIVA ExCon
Bird watching, tractions: experiments in art writing Issue #2 (ed. Carlos Quijon Jr.), on Shireen Seno’s A child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off
2019
labor pains, Ctrl+P Journal of Contemporary Art Issue #19 (ed. Judy Freya Sibayan)
On higher ticket prices and deeper regard for artists: a postscript to Art Fair 2019, ANC X, on MM Yu
Conduits for sale, The Philippine Star, on Art Basel Hong Kong
Reviews
2023
Show Us the Money: ‘The Accursed Share’ at Talbot Rice Gallery (with Elisa Adami), Afterall
2019
Another look at Venice Biennale: Living in interesting times, The Philippine Star
Love letters to the unseen: Works by Fr. Jason Dy and Costantino Zicarelli at Vargas Museum, The Philippine Star
2018
Market in flux: ‘Nam June Paik in Manila’ at León Gallery, The Philippine Star
Lost and found in translation: ‘Incarnator’ by Paul Pfeiffer, The Philippine Star
‘The Hand, the Secretary, a Landscape’ at the CCP, The Philippine Star, on Lesley-Anne Cao
That 70s movement, The Philippine Star
I was told to do this, The Philippine Star, on Erwin Wurm
Dalena’s Curtain Call, Kalaw-Ledesma Foundation, Inc.
2023
Show Us the Money: ‘The Accursed Share’ at Talbot Rice Gallery (with Elisa Adami), Afterall
2019
Another look at Venice Biennale: Living in interesting times, The Philippine Star
Love letters to the unseen: Works by Fr. Jason Dy and Costantino Zicarelli at Vargas Museum, The Philippine Star
2018
Market in flux: ‘Nam June Paik in Manila’ at León Gallery, The Philippine Star
Lost and found in translation: ‘Incarnator’ by Paul Pfeiffer, The Philippine Star
‘The Hand, the Secretary, a Landscape’ at the CCP, The Philippine Star, on Lesley-Anne Cao
That 70s movement, The Philippine Star
I was told to do this, The Philippine Star, on Erwin Wurm
Dalena’s Curtain Call, Kalaw-Ledesma Foundation, Inc.
Profiles
2022
“How does the world define Filipinos?”: Conversation with
Baby Ruth Villarama, Isles and Islands, British Council
Leiko Ikemura: 'I prefer to leave unfinished traces of imperfection', Ocula
For Pow Martinez, Painting Is Still Emerging, Ocula
2019
Old habits die hard: Liv Vinluan on repetition and permanence, The Philippine Star
Of tragedy and indulgence: Ian Fabro’s ‘Inferno, Purgatorio, Paradiso’, The Philippine Star
Lyra Garcellano, Amorsolo, and the Spectre of Comparison, The Philippine Star
Bea Camacho’s poetic take on memory as forgetting, The Philippine Star
2022
“How does the world define Filipinos?”: Conversation with
Baby Ruth Villarama, Isles and Islands, British Council
Leiko Ikemura: 'I prefer to leave unfinished traces of imperfection', Ocula
For Pow Martinez, Painting Is Still Emerging, Ocula
2019
Old habits die hard: Liv Vinluan on repetition and permanence, The Philippine Star
Of tragedy and indulgence: Ian Fabro’s ‘Inferno, Purgatorio, Paradiso’, The Philippine Star
Lyra Garcellano, Amorsolo, and the Spectre of Comparison, The Philippine Star
Bea Camacho’s poetic take on memory as forgetting, The Philippine Star